From Photoessay: Notes for Illustrating Silence: A Dream by Rachel Eliza Griffiths
Rachel Eliza Griffiths is a multi-media artist, poet, and writer.
She received the MFA in Creative Writing from Sarah Lawrence College and is the recipient of numerous fellowships including Robert Rauschenberg Foundation, Provincetown Fine Arts Work Center, Kimbilio, Cave Canem Foundation, Vermont Studio Center, Millay Colony, and Yaddo.
Her literary and visual work has been widely published in journals, magazines, anthologies, and periodicals including The New Yorker, Virginia Quarterly Review, The Progressive, The Georgia Review, Gulf Coast, Callaloo, Poets & Writers, The New York Times, American Poetry Review, Los Angeles Review of Books, Guernica, The Writer’s Chronicle, Transition, American Poet, Mosaic, Indiana Review, Ecotone, Black Nature: Four Centuries of African American Nature Poetry, and many others.
Griffiths is widely known for her literary portraits, fine art photography, and lyric videos. Her extensive video project, P.O.P (Poets on Poetry), an intimate series of micro-interviews, gathers nearly 100 contemporary poets in conversation, and is featured online by the Academy of American Poets. In 2015, Griffiths was selected by the Poetry Society of America to curate the Poetry Walk, featuring the poetry of Octavio Paz, for the New York Botanical Garden's exhibit, Frida Kahlo: Art Garden Life. In 2011, Griffiths appeared in the first ever poetry issue of Oprah’s O Magazine.
Griffiths is the author of Miracle Arrhythmia (Willow Books 2010) and The Requited Distance (The Sheep Meadow Press 2011). Griffiths’ third collection of poetry, Mule & Pear (New Issues Poetry & Prose 2011), was selected for the 2012 Inaugural Poetry Award by the Black Caucus of the American Library Association. Her most recent full-length poetry collection is Lighting the Shadow (Four Way Books 2015), which was a finalist for the 2015 Balcones Poetry Prize and the 2016 Phillis Wheatley Book Award in Poetry.
Currently, Griffiths lives in New York.
