This event is free and open to the public. Learn more here.

You can RSVP by emailing events@kwelijournal.org.

This event is free and open to the public. Learn more here.

You can RSVP by emailing events@kwelijournal.org.

Find out more about this event here!

Revising prose fiction depends on defamiliarization—seeing the work afresh—as well as recognizing and refining elements and threads that have emerged unconsciously in the first draft. Alongside practical advice for redrafting prose, I’ll suggest some ways that the novel's inheritance from the tradition of Greek tragedy might guide us through this process.

You can register for class here.

What is plot, and how can we plot our fiction to invite our reader in? In this craft class, we will discuss several approaches to plot, with accompanying writing exercises, followed by time for Q&A.

You can register for this class here.

THIS EVENT IS TO BE RESCHEDULED

LaToya Watkins is the author of Perish. Her writing has appeared in A Public Space, The Sun, Kweli Journal, McSweeney's Quarterly Concern, Kenyon Review, The Pushcart Prize Anthology, and elsewhere. She is a Kimibilo fellow and has received support from the Bread Loaf Writers' Conference, MacDowell, OMI: Arts, Yaddo, Hedgebrook, and the Camargo Foundation. Holler, Child is her first story collection.

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This master class will explore the ways fiction writers can use existing shapes and forms to help generate new works. We’ll take a look at a range of literary materials that borrow from various frameworks, such as indexes, logs, essay questions, glossaries, etc.

You can register for this class here.

This craft lecture explores some tips and suggestions on how to become a more visual storyteller and how to maintain movement within your story. I will be sharing some elements of craft and helping writers to harness memories and moments for their novel.

You can register for this class here.

THIS EVENT IS TO BE RESCHEDULED

Magogodi oaMphela Makhene is a proudly Soweto-made soul, who now makes her home anywhere with sunshine and writing space. An Iowa Writers’ Workshop alum, Magogodi is a Caine Prize, Hedgebrook, MacDowell and Rona Jaffe Award honoree. She leads immersive courses and experiences at Love As A Kind of Cure, a social enterprise she co-founded to dismantle white supremacy. Her newsletter, Get Paid & Published, offers hands-on tools and tips for first time authors. Follow Magogodi’s writing adventures at magogodi.com. Innards is her debut novel.

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Kweli Journal and Ballet Hispánico present Sing the Truth, an evening of readings, music, dance narratives and conversation on memory and inheritance. The evening features readings by Pulitzer Prize finalist Ingrid Rojas Contreras whose memoir THE MAN WHO COULD MOVE CLOUDS “interweaves family stories more enchanting than those in any novel, resurrected Colombian history, and her own deeply personal reckonings with the bounds of reality.” The audience will be transported to Colombia via the words, music and dance of the extraordinary artists who will grace Ballet Hispánico's stage. The original dance segment choreographed and performed by Ballet Hispánico's own Rodney Hamilton and Mia Bermudez will leave you breathless.

This program concludes with a conversation between Ingrid Rojas Contreras and Maria Alejandra Barrios, a 2018 Kweli Fellow. Her book, THE WAVES TAKE YOU HOME is forthcoming from Lake Union Publishing (2024).

You can RSVP with an email to events@kwelijournal.org.

Kweli Journal, The New School Creative Writing Program and Africa Is A Country present Myth & Music, an evening of readings, live music, dance narratives and conversation on home and journeys in search of belonging. The evening features readings by internationally acclaimed author Chika Unigwe and breakout debut author Yvette Lisa Ndlovu, whose most recent books riff on Zimbabwean mythology and the parable of Hades and Persephone within a Nigerian family. Through sound and movement, choreographer Khensani Mathebula, violist Iymaani Abdul-Hamid and dancer Mikaela Brandon interpret and extend the narratives, illuminating the search for home and freedom.

This program concludes with a conversation between the authors and moderator Ladan Osman, exploring these themes and the power of literature and art in cultivating community across borders.

You can RSVP with an email to events@kwelijournal.org.

See our registration details for more.

Our craft series continues with Kweli fellow and author of debut short story, “Palacio,” Jessica Galán. Tune in on Instagram.

Register today by emailing events@kwelijournal.org!

THIS EVENT WILL BE RESCHEDULED. Unfortunately, due to unforeseen circumstances, we will need to reschedule tonight's reading for a later date. Please stay tuned for our new reading date announcement!

Join us on Crowdcast for our 2023 inaugural issue DIGITAL LAUNCH READING featuring stunning prose and poetry from Deborah D.E.E.P Mouton, Monic Ductan, Kassy Lee, and Emily Mitamura. RSVP here.

We’re excited to introduce our new craft series, THE THIRD EYE ON IG LIVE, where Kweli contributors and our Editor-In-Chief, Laura Pegram, have 30-minute craft conversations sharing key edits that helped their stories shine! We hope this series will help demystify the editorial process and we’re thrilled to launch THIRD EYE with Zimbabwean sarungano (storyteller), genre-bending debut author Yvette Lisa Ndlovu! Tune in on Instagram.

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Join us for a multimedia evening featuring live music, dance, photography and the prose of Andrea L. Rogers. Rogers will be reading excerpts from her debut YA collection of short stories, Man Made Monsters and Kalyn Fay will sing original music in the Cherokee language. After the performance reading, Rogers will be in conversation with Laura Pegram, the editor who published the title story in 2018.

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RSVP for the virtual event here. Code: 287970

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Join us for a multimedia evening featuring live music, dance, photography and the poetry of Cynthia Dewi Oka. Oka will be reading from her new poetry book, A Tinderbox in Three Acts. After the performance reading, she will be in conversation with Aracelis Girmay.

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