Perhaps it is the literal apocalypse unfolding daily across the border in Gaza that makes an undead narrator so compelling. Her body is coming apart, she is an unequivocal monster, but she has feelings.
No One Will Love You More by Crystal Wilkinson
If you said you remembered her packed suitcase or her kiss on your forehead before she left you, you’d be lying. If you said you remembered her whispers or the muffled cries, if you said you heard the dog’s bark followed by the engine of your grandfather’s car, then the crunch of the gravel as they headed out of the holler carrying her away from you, you’d be lying. But somehow all of this is true. You’ve carried versions of your mother, versions of her leaving, with you your entire life. Inventing and then re-inventing your mother’s story. Turning your mother over and holding her up to the light like a stone.
