The Art of the Short Story Online Workshop (January 2026-February 2026)
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KWELI / Truth From the Diaspora's Boldest Voices

The Art of the Short Story Online Workshop (January 2026-February 2026)
2025 International Literary Festival Main Page
2025 Children's Literature Conference
Home
About
Our Mission
Kweli Staff
Editorial Masthead
Partners
Opportunities
Journal
Current Issue
Sing the Truth! Blog
Interviews
Submit
Programs
Annual Events: Conference & Festival
Mentorship
Educational Programming
Retreats
Video Library
Upcoming Events
Donate
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Laura Pegram
February 27, 2026

Artwork: Fog Lights by Nadiyah Ngah D. Windsong

Laura Pegram
February 27, 2026
Artwork: Fog Lights by Nadiyah Ngah D. Windsong

Fog Lights by Nadiyah Ngah D. Windson is an original painting in the private art collection of Nivea Castro.

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Laura Pegram
February 27, 2026

Deep Diving the Blues by Nívea Castro

Laura Pegram
February 27, 2026
Deep Diving the Blues by Nívea Castro

The minute the news of Lolita Lebrón’s death from a lung infection went public, chismosos started a rumor that my ‘baby’ brother Theos was next.

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Laura Pegram
February 27, 2026

Notorious by Mubanga Kalimamukwento

Laura Pegram
February 27, 2026
Notorious by Mubanga Kalimamukwento

Many of them were office workers, freshly middle-class but still wearing the stench of poverty on their heads like a mother’s lochia on her newborn’s frantic fontanelle. They clung to these bloated dreams for their daughters, as if they would supplant their own unfulfilled ambitions.

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Laura Pegram
February 27, 2026

The Art of Stained Glass by Princess Perry

Laura Pegram
February 27, 2026
The Art of Stained Glass by Princess Perry

Moments of bliss seldom collide, but the instant a warm, sweet fritter went soft on his tongue, Hill noticed the painting — silver hair, blazing eye, skin the hearty brown of good bread — half shoved behind the door.

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Laura Pegram
February 27, 2026

Struggle in the Valley by Eman Quotah

Laura Pegram
February 27, 2026
Struggle in the Valley by Eman Quotah

Ezzeldine didn’t understand what it was like to be an actress surrounded by male directors and male everything. Why should she be the one to lose the part? The sacrifice wasn’t fair. Nothing in the world was fair for women.

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Kweli is a 501(c)(3) nonprofit organization supported by readers like you and by grants from organizations including the New York State Council on the Arts, Community of Literary Magazines and Presses, Amazon Literary Partnership and the Whiting Foundation.

 
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