LAURA PEGRAM, EDITOR IN CHIEF
Laura Pegram is a multidisciplinary artist who is influencing a new generation of aspiring writers. Author, educator, and a jazz vocalist whose cabaret performance teamed her with jazz pianist, Donald Smith, Ms. Pegram is also a painter. Her richly hued vibrant murals are part of several private collections. She has worked as a Development Associate at Scholastic Productions, Inc., as an Instructor at the Frederick Douglass Creative Arts Center and as an Acting Director / Instructor at the John Oliver Killens Young Writers Program.
ANNAKAI HAYAKAWA GESHLIDER, MANAGING EDITOR
Annakai 早川 Geshlider watches words scrape / lift / sway / stick / smash / rot / prank / feed. a fan of gabbing, silence, bittermelon, & jokes, she wonders: when old words won’t do the trick, then what? how to sprout, cross out, unmake? wonder: how to remember, plus forget? wonder: how can word: move through breath, limb? wonder: scrap all that: what’s left ta say?
Amy diaz infante, art editor
Amy Díaz-Infante is a visual artist with a background in printmaking who has shown nationally and in México. She has taught at Youth Art Exchange, the Mission Cultural Center’s Mission Gráfica, Opera Piccola, and the Rhode Island School of Design. As an educator and administrator, she has been active in the field of youth arts and youth leadership. She has also been involved with Sambaxé Dance Company as a novice dancer, drummer, and project coordinator for the Batería Força Feminina, a women’s Brazilian-inspired percussion ensemble. Amy holds a BA in Art from Yale University, an MFA, with honors, from the Rhode Island School of Design, and a Collegiate Teaching Certificate from Brown University. She is an alumna of the Djerassi Resident Artist Program and a 2015 Community Trustee in the Leadership San Francisco Program.
di jayawickrema, COMMUNICATIONS CONSULTANT
Di Jayawickrema is a communications specialist and writer. Currently based out of D.C., she has 8+ years of experience as a marketing/communications specialist in diverse for- and non-profit environments. She was the former Director of Marketing & Commmunications at Educational Alliance’s Manny Cantor Center and currently consults for literary, arts, immigrant and racial justice advocacy causes and other progressive nonprofits. Her fiction and prose poetry have appeared in Unbroken Journal, Ginosko Literary Journal, Fiction Fix, and The Albion Review. She holds an M.B.A. in Marketing and a B.A. in English Literature/Creative Writing.
naima coster, senior fiction editor
Naima Coster is the author of Halsey Street, a story of family, loss, and renewal, set in a rapidly gentrifying Brooklyn (January 2018, Little A). The recipient of numerous awards, her work has appeared in the New York Times, Arts & Letters, Kweli, The Rumpus, Aster(ix), A Practical Wedding, Catapult, and Guernica, among other places. Naima is a teacher of writing and has worked with students in a range of settings, including youth programs, prison, and universities. She tweets about literature, culture, and justice as @zafatista, and she writes the newsletter, Bloom How Must.
ANITA FELICELLI, SENIOR FICTION EDITOR
Anita Felicelli was born in India and grew up in Northern California. She is a fiction writer, poet, and critic based in the San Francisco Bay Area. Anita is the recipient of a Puffin Foundation grant, the recipient of a 2015 Kweli scholarship, and an alumna of Voices of Our Nations (VONA). She is the author of a poetry collection "Letters to an Albatross" (Blaze Vox, 2010). Her short stories have twice been finalists for the Glimmer Train awards and her nonfiction has received two awards from The San Francisco Peninsula Press Club. Anita's work has appeared in the New York Times, Salon, San Francisco Chronicle, Los Angeles Review of Books, The Rumpus, Brain Child, India Currents, Blackbird, Juked, Strangelet Journal, and elsewhere. She is an associate editor at the South Asian blog The Aerogram. Anita triple-majored at UC Berkeley, holds a J.D. from UC Berkeley School of Law, and worked as a litigator for a decade.
ESTELLA GONZALEZ, SENIOR FICTION EDITOR
Estella Gonzalez was born and raised in East Los Angeles, which inspires most of her writing. Her work has appeared in Puerto del Sol, Kweli, Aster(ix) and Huizache and has been anthologized in Latinos in Lotusland: An Anthology of Contemporary Southern California Literature and Kaleidescope: Martindale Literary Award Winners 1988-2006. She received a Pushcart Prize “Special Mention” and was selected a “Reading Notable” for The Best American Non-Required Reading.
TRACEY LEWIS-GIGGETTS, ASSOCIATE EDITOR
Tracey Lewis-Giggetts is a professor of English and Creative Writing at the Community College of Philadelphia and founding publisher of NewSeason Books and Media, an independent press and content creation company based out of the metro Philadelphia Area. She holds a Bachelor of Arts degree in Communication from the University of Kentucky, an M.B.A. in Marketing from Montclair State University; an M.F.A in Creative Writing from Fairleigh-Dickinson University.
From 2012 to 2014, this Louisville, KY native served as the Managing Editor at CLC Publications. There she was involved in shaping the work of numerous high profile writers. As a writer, Tracey has published an award-winning poetry collection and is the author of nine other books including a collection of essays, Diaper Bags and Church Shoes, and a novel, The Search for Susu (co-authored with Dr. Marcella McCoy-Deh). Additionally, Tracey's writing has been published in print and online publications including Kweli Literary Journal, The Guardian, The Chronicle for Higher Education, Philadelphia Weekly, Ebony Magazine, TheRoot.com, and more. Tracey is also a 2016 alumnus of the Zora Neale Hurston/Richard Wright Foundation’s Summer Writing Workshop. She was mentored by Elizabeth Nunez.
In early 2017, Tracey wrote and directed her first short film, The Reunion, expanding her work to include visual storytelling. She is currently developing her second short film, Generational.
bahar mirhosseini, contributing editor
Bahar Mirhosseini has worked as a public defender in the U.S. and with public defenders overseas. She is a VONA alum and a recipient of Hedgebrook’s Women Authoring Change Fellowship, one made in honor of Libyan lawyer and activist Salwa Bugaighis. During law school, she received the Haywood Burns Fellowship in Civil and Human Rights from the City University of New York School of Law. Bahar was first introduced to Kweli Journal during a fifth anniversary reading series the journal hosted with Jennine Capó Crucet in East Harlem, New York. She is working on a collection of short stories and a memoir.
RUTH MUKWANA, ASSOCIATE EDITOR
Ruth Mukwana is a fiction writer from Uganda. She is currently working for the United Nations on humanitarian affairs in Sudan. Mukwana completed her MFA in Creative Writing from the Bennington Writing Seminars in June of 2014 and is finishing her collection of linked short stories. Her short story, The Smell, was published by Solstice Magazine. Her short, Taboo, was runner up for the Black Warrior Review 2017 Fiction Contest, and her story, The Minister, is forthcoming in the 10th Anniversary issue of Consequence Magazine.
PRINCESS PERRY, SENIOR FICTION EDITOR
Princess Perry was born in Newport News, Virginia. She is a past winner of the Zora Neale Hurston/Richard Wright Award and a Virginia Commission for the Arts grant. Her short stories have appeared in African- American Review and Harrington Gay Men’s Literary Quarterly. She lives in Norfolk, Virginia. In September 2014, her story "A Penny, A Pound" was published in the anthology All About Skin: Short Fiction by Women of Color (University of Wisconsin Press). She is working on her debut novel.
NAMRATA PODDAR, INTERVIEW EDITOR
“Namrata Poddar writes fiction, nonfiction, and teaches transnational American literature at the University of California, Los Angeles. Her work across genres explores the intersection of power, privilege and storytelling via race, class, gender, place or migration. As a scholar, her writing has focused on maritime sites (boats, ports, beaches) and stories of global travel, environmentalism and tourism in small islands. Her research has appeared in English and in French in different journals or special issues on the Caribbean, the Pacific and the Indian Ocean across the world. Her creative work has appeared in Transition, Literary Hub, The Margins, The Progressive, CounterPunch, Los Angeles Review of Books Quarterly, Hayden's Ferry Review, Necessary Fiction, Resilience, The Feminist Wire, The Caravan and elsewhere. She holds a Ph.D. in French Studies from the University of Pennsylvania, UCLA Mellon Postdoctoral Fellowship in Transnational Cultures and an MFA in fiction from Bennington Writing Seminars. More at www.namratapoddar.com.
ANNA QU, NONFICTION EDITOR
Anna Qu was born in Wenzhou, China and grew up in New York. Her nonfiction has appeared in Kweli, The Threepenny Review, Vol.1 Brooklyn, Kartika Review, X0Jane.com, Jezebel.com, and Free Range Nonfiction. She holds an MFA in nonfiction writing from Sarah Lawrence College and spent two years working in publishing. Currently, she is working on a memoir and lives in Brooklyn.
JODI M. SAVAGE, Contributing editor
Jodi M. Savage is an employment discrimination and disability rights attorney. Jodi writes about race, gender, feminism, faith, and Alzheimer’s disease. Her nonfiction has appeared or is forthcoming in Catapult, The Establishment, and Women’s Studies Quarterly.
Jodi graduated from Barnard College and Seton Hall University School of Law. She lives in Brooklyn, New York. Jodi can be found online at www.jodimsavage.com and on Twitter (@macreflections
li yun alvarado, senior poetry editor
Li Yun Alvarado is a Nuyorican poet, writer, and educator. She is the author of the chapbook Nuyorico, CA. Her work has been published in several journals and anthologies including: Wise Latinas: Writers on Higher Education; CURA: A Literary Magazine of Art and Action; The Acentos Review; PALABRA: A Magazine of Chicano and Latino Literary Art; PMS Poemmemoirstory; and Modern Haiku. She is an Acentos Fellow, and has been selected to participate in VONA Writers Workshop, Astra Writing in Greece, and AROHO. As a graduate student, Li Yun helped coordinate Fordham's Poets Out Loud reading series and book prize. She holds a PhD in English and an MA in English and Creative Writing from Fordham University, as well as a BA in Spanish and Sociology from Yale University. She teaches English at Long Beach City College and has taught literature, composition, and creative writing--in English and in Spanish--to middle school, high school, and college students throughout the country. A native New Yorker, she now lives in Long Beach, California and takes frequent trips to Salinas, Puerto Rico to visit la familia.
ARIANA BROWN, POETRY EDITOR
Ariana Brown is an Afromexicana poet from San Antonio, Texas, with a B.A. in African Diaspora Studies and Mexican American Studies from UT Austin. She is the recipient of an Academy of American Poets Prize and a 2014 collegiate national poetry slam champion. An alum of Brave New Voices, Ariana's work has been featured in PBS, Huffington Post, Blavity, For Harriet, and Remezcla. Ariana, who has been dubbed a "part-time curandera," has performed across the U.S. at venues such as the San Antonio Guadalupe Theater, University of California - Santa Cruz, Tucson Poetry Festival, and the San Francisco Opera Theatre. When she is not onstage, she is probably eating an avocado, listening to the Kumbia Kings, or validating black girl rage in all its miraculous forms. Her work is published in Huizache, Rattle, Borderlands: Texas Poetry Review and ¡Manteca!: An Anthology of Afro-Latin@ Poets from Arte Público Press. She is currently earning an MFA in Poetry at the University of Pittsburgh. Learn more about Ariana at www.arianabrown.com
VINCENT TORO, POETRY EDITOR
Vincent Toro has an MFA in poetry from Rutgers University. He is winner of the 2015 Sawtooth Poetry Prize and is recipient of both a Poet’s House Emerging Poets Fellowship and a New York Foundation for the Arts Fellowship in Poetry. His poems have been published in Kweli, The Buenos Aires Review, The Acentos Review, Codex, The Journal, Matter, The Ostrich Review, The Cortland Review, The Caribbean Writer, and in the anthologies CHORUS, and The Waiting Room Reader 2. His play “21” won the Metlife Nuestras Voces Playwriting Award and was staged at the Spanish Repertory Theater. From 2006-2011, Vincent was Theater Arts Director at the Guadalupe Cultural Arts Center. During his tenure there he won The San Antonio Theater Councils Golden Globe for Direction of a Drama. He is a member of the Macondo Writer’s Foundation and serves on the board of GlobalWrites, a non-profit dedicated to promoting literacy through integration of technology and performing arts in schools throughout the U.S. Vincent teaches at CUNY’s Bronx Community College and is a poet in the schools for the Dodge Poetry Foundation and the Dreamyard Project. His collection, “Stereo.Island.Mosaic.” was released in January 2016 from Ahsahta Press.